The Metahive Project

We are creating a learning,sharing, & holistic healing centre and Eco Village in the Okanagan region located in British Colombia, Canada. A place to foster and to create awareness of the need for all of us to live in harmony & love with all Earthlings & Mother Earth. We are people who have, are, or think they going to awaken to the truths withi ...learn more

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Created: May 29, 2009

Updated: Nov 09, 2009

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Community Arts Network
(a.k.a.: CAN)

( Media Organization )

Organization Info   [Edit]

Activities: Educational
 
Type: Media Organization
 
Scope: international
 
We Speak: English
 
Website: www.communityarts.net
 
Main Email: info [at] communityarts.net
 
Contact Name: Linda Frye Burnham
 
Contact Email: burnham [at] communityarts.net
 
Phone: 336-376-8404
 
Headquarters: P.O. Box 68
Saxapahaw, North Carolina 27340
United States
 
Staff: 2
 
Local Time: Mon Nov 23 18:28:24
 

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About  [Edit]

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About the Community Arts Network

The Community Arts Network (CAN) is a portal to the field of community arts, providing news, documentation, theoretical writing, communications, research and educational information. Headquartered at its Web site on the Internet, CAN is a program of Art in the Public Interest (API), a nonprofit organization based in North Carolina. For a complete explanation of CAN's mission and activities, see the Welcome page.

A CAN History

Art in the Public Interest (API) is a nonprofit organization providing information and resources in support of art that is culturally engaged and serving communities. API's co-directors, Linda Frye Burnham and Steven Durland, founded and edited High Performance magazine for its entire 20 years, with an increasing focus on the field of community arts and art for social justice. In 1995 they sharpened their focus and mission by creating a new nonprofit organization, Art in the Public Interest, and, with Virginia Tech, founding the Community Arts Network in 1999.

Joining Burnham and Durland as founding directors were artists Robert H. Leonard and Ann Kilkelly, both faculty members in the Department of Theatre Arts at Virginia Tech in Blacksburg, Va. The university's interest in the field of community arts was rooted in the Department of Theatre Arts' Consortium for the Study of Theatre and Community, organized by Leonard and Kilkelly to bring together members of community-based theater ensembles from across the U.S. to share resources and concerns. Many of the consortium members went on to found the Network of Ensemble Theater.

Leonard and Virginia Tech raised initial funds for CAN as a collaborative project with API. Leonard directed, along with Kilkelly, one of CAN's most important first projects, "Performing Communities: The Ensemble Theater Research Project." Leonard remains a co-director of CAN, with Kilkelly as a member of its board of advisors. Once the CAN project gained viable momentum, API assumed primary responsibility for its support.

CAN is API's only program and API is CAN's sole base of support. API manages CAN and its content in frequent collaboration with other artists and organizations, including Virginia Tech.

Who We Are

Linda Frye Burnham and Steven Durland have been visible figures in the arts in the U.S. for more than 25 years. Durland is a visual artist and designer who is responsible for organizational and product design, now mastering CAN's Web site. Burnham is a writer who specializes in community arts and is responsible for editing and much of the writing on the CAN site. She also co-founded the 18th St. Arts Complex (of which Durland was executive director) and Highways Performance Space, both in California. Robert H. Leonard is professor of theatre arts at Virginia Tech and director of its graduate programs in Stage Management and in Directing and Public Dialogue. He was founding artistic director of The Road Company, a theater ensemble based in Johnson City, Tennessee (1972-1998). Maryo Gard Ewell, CAN contributing editor, is a consultant in community arts and development and former associate director of the Colorado Council on the Arts. CAN is advised by a board of scholars and practitioners in community-based arts. They include:

  • Ysaye M. Barnwell, member of the a cappella quintet Sweet Honey in the Rock, composer/arranger, choral conductor, author, actress, healthcare worker, living in Washington, D.C.
  • William Cleveland, author/musician and director of the Center for the Study of Art and Community in Bainbridge Island, Washington
  • Dudley Cocke, artistic director of Roadside Theater and member of the leadership of Appalshop, Inc., in Whitesburg, Kentucky
  • Jan Cohen-Cruz, scholar/practitioner of activist and community-based performance and associate professor at New York University Tisch School of the Arts Drama Department
  • Kathie deNobriga, organizational consultant and former executive director of Alternate ROOTS, based in Georgia
  • Ann Kilkelly, professor of theater arts and women's studies at Virginia Tech and scholar/practitioner in jazz-tap dancing and history, performance studies and interactive performance techniques
  • Shishir Kurup, Los Angeles-based actor/writer/director/composer and ensemble member of Cornerstone Theater Company and Great Leap, based in Los Angeles, California
The Roles of Collaborators

One of API's primary strategies is to collaborate with individuals and organizations that participate in community arts, in different ways on special projects published on CAN. Sometimes these projects are initiated by API, sometimes by collaborators. All these projects incorporate the voices, opinions and creative input of community members who help design and participate in them.


CAN collaborators have included:
  • Alternate ROOTS
  • Appalshop
  • Center for Community Change
  • Center for the Study of Art & Community
  • Columbia College Chicago
  • Creative Exchange
  • Critical Press
  • James Irvine Foundation
  • Liz Lerman Dance Exchange
  • Robert E. Gard Foundation
  • Rockefeller Foundation
  • The Washington, Oregon and Idaho arts councils
  • Virginia Tech
Funders

Initial support for the Community Arts Network was provided by Art in the Public Interest and the Virginia Tech ASPIRES Program.

Additional support for CAN has been provided by


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